Learn About Pickups: Chapter 3. Understanding Output


A high-output pickup sends a stronger signal to the amp, which means the amp distorts more readily. Double-coil pickups originally had more output than single-coils, though nowadays there are many single-coils models that rival humbuckers in output.

Here’s a real-life scenario: Say you plug a guitar with moderate-output single-coil pickups into an amp, and hear a clean sound no matter how hard you play. If you switched to a guitar with hotter (this is, higher output) humbuckers, you might hear a slightly dirty, distorted sound, even at the same amp settings. And if you used a guitar with super-hot pickups, you might hear distortion at all times. Or to put it another way, higher output means more distortion at any given amp setting.

But you can still get super-distorted sounds from moderate-output single-coils by dialing in a more distorted amp sound, or adding a distortion or booster pedal between the guitar and the amp. Think of Jimi Hendrix, who created extreme distortion and feedback with vintage single-coil pickups by playing through a fuzz box and turning his amps past the point of distortion.

On the other hand, you could get an ultra-clean sound from a high-output pickup by using an amp designed not to distort, such as a Roland Jazz Chorus® or a Polytone®, or by connecting your guitar to a mixing console without using an amp. (Both techniques are common among jazz players.) But generally speaking, players specializing in aggressive rock and metal are the most frequent users of high-output pickups.

You don’t hear much about “low-output” pickups. There are some weak pickups out there, but for practical purposes, “moderate output” refers to the lower end of the output spectrum. When you hear the term “vintage output”, that’s towards the lower end of the scale, but still without being excessively weak.


Sometimes, though it can be too much of a good thing for certain styles of music. Also, greater output often translates into darker tones, though some ingenious high-output pickup models are designed to counteract this tendency. For example, our Dimebucker and Duncan Distortion humbuckers have clear top end and tight bottom response thanks to carefully designed ceramic magnets.

You should probably try some guitars with moderate-output pickups and some with hotter pickups. Chances are you’ll determine pretty quickly which output level best suits your touch and taste.

Generally speaking, if your guitar tone feels weak, you’ll probably want a higher output replacement pickup. If your tone strikes you as too muddy or distorted, try pickups with less output.


Passive pickups are the most common – they work by coils of wire wrapped around magnets, and the energy from the string is converted into electricity purely through those materials, with no additional electrical power required to make them work.

Active pickups contain a battery-powered pre-amplifier to boost the pickup’s output and shape its tone. They are the highest-output pickups available. Active pickups minimize noise and maximize signal, yet many players prefer the softer sound of passives.

Active pickups excel at making your amp distort while retaining a crisp, well-defined attack, which is why many modern metal and hard rock guitarists love them. But active pickups don’t have to sound distorted. After all, they first became popular in the ’80s, when clean, bright tones were the norm in pop and rock, and some jazz players like actives for their strong, noise-free signal. Active pickups don’t lose high-end over long cable runs in the same way as passive pickups do, and they’re also great for driving long chains of effects without getting weak. Active pickups are even more popular among bass players.

Mixing active and passive pickups in the same guitar is rarely done and involves lots of clever wiring. We usually recommend sticking with either all active pickups or all passive paickups.

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